Jartse Tuominen – Untold Stories

Finns have big hands, at least, that’s the impression I get from the few Finnish friends I have – and that is a number that is closer to 10 than to 0. Knowing that, and how small the neck of a guitar really is, it’s a miracle someone like Jartse Tuominen can play a guitar at the lightning speeds he sometimes reaches. However, Finns also get older, and on his new album Untold Stories, even Jartse slowed down – compared to his previous two albums, 11 and 15 years ago. I don’t think he can’t do fast anymore though, but on this album he’s nowhere near the frantics he exposed on Progressiveuntold stories

What he brings us a nice jazz rock album, with a lot of guitar (no surprise), accompanied by a really tight band. On the first three tracks (Extraordinary, Hybrid Fusion, Mesa), it’s well performed jazz rock, which reminds of Progressive, but more relaxed and with a nice percussion interlude in Hybrid Fusion.

Time To Go, released as a single in January as part of the Finnish release of the album, is a melodic, melancholic electric guitar ballad with an initial riff that reminds me of Eric Clapton’Wonderful Tonight every time. It works, but leaves me wanting for a conclusion when it ends. This in contrast to the title track Untold, which is just as emotional but has a stronger build up, from acoustic guitar to electric and then to a crying end. In fact, when you think it’s done after 4 minutes, the guitar starts crying again. [acfw id=2]

In between these two tracks are  Simppa Goes to Töysä (is this Finnish phonetic for Simple goes to Tulsa?) which jazzy but not too much and has a nice guitar solo, and the straight forward blues rock track Trouble Shuffle. An odd piece on this album, but as a break in the middle it works for me.

Nine Lives is the low of this album for me. Not bad in terms of guitar and keys, but a bit too long (because of it’s repetitiveness), but the follow up Yeah Right, another well done jazz rock track makes up for that, together with the heart felt Gary Moore like guitar work on closing track Farewell.

 

So, Jartse did slow down a bit, but hasn’t lost the touch. If you like instrumental, guitar oriented music that leans toward jazz rock, give this a try. If you don’t, do the same. It’s not Jartse’s best album, I have a life long weak spot for Progressive, but still recommended.