Beyond the seventh wave, by Silhouette

Silhouette is a Dutch neo-prog band, who released their fourth album this year. An album consisting of 11 tracks, each well composed and well executed.

Silhouette Beyond the Seventh Wave

At the base of Silhouettes music on this album is the keyboard work of Erik Laan, who is also the most productive composer in the band. Together with the two guitar players he creates a musical bed for the vocals, without overdoing it. In the tracks In Solitary and Lost Paradise there is still plenty of room for quieter parts. On Wings to fly, the band builds up nicely by starting with acoustic guitar, flute and cello, to end with a full blown electric crescendo. All of this carried by a very steady rhythm section – where part of the bass tracks are played by Jurjen Bergsma, because Gerrit-Jan Blooming decided to leave the band.

The album is at times a bit bombastic, but never annoying (unlike some of the overdone things that for example ELP could produce in the ’70s). A slight defect of the album, from my point of view are the vocals.  There are a few occasions where I feel, although both singers try their best (and with good results in e.g. Web of lies), the vocals either lack emotion (perhaps due to focusing too much on technique) or sound a bit forced in the higher regions. There is some room for improvement there, because in Devil’s Island it can get a bit annoying for the listener.

That last track, Devil’s Island is great in its instrumentals: when listenig with eyes closed, it is easy to imagine a flight over an island, seeing it from above, in the middle of the sea.

Overall, a good album, worth listening – but not as good as it could’ve been.

(also published on www.progarchives.com)